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Inspired by the nickname his late father gave him growing up, WILDCHILD is Warren’s most vulnerable but also most joyous work to date — a raw, cinematic collection exploring grief, growth, love, and self-discovery. Blending heart-stopping ballads with infectious pop anthems, the album captures Warren at his most honest yet, pairing deeply personal storytelling with soaring vocals and expansive production. 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It’s that duality – of live artist and DJ, introspective composer and club-focussed selector – that sits at the heart of latest album ‘Distance in Static’, a record that is full of depth, detail and emotion; both beautiful and banging; quintessentially Bonobo, yet pushing beyond the contours of what a Bonobo album has traditionally been.\u003c\/div\u003e\r\n\u003cp\u003e\u003cbr\u003eA large portion of the record was created at Neil Young’s legendary Broken Arrow Ranch studio in Woodside, California – an environment Green describes as deeply immersive and creatively transformative. A pivotal track to emerge from these Ranch sessions was the enchanting “Fire on the Water”, featuring Arooj Aftab, who travelled down from her NYC base to record what became a breakthrough moment during the album’s creation. Evolving, almost accidentally, from a rough acoustic guitar loop recorded while Green was testing studio inputs one morning. 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In the whirlwind first few years of the band, there had been breakups, new love affairs, and yearning all while Wishy stormed the indie scene as an instantly beloved new act. That revelation by way of pep-talk arrives in the chorus of \"Sensational.\" Originating through Krauter's experimentation with drum loops, the song is what should be an unholy fusion of sugary grunge and dream-pop. Yet Wishy's latest jubilant remix of the past bears all their trademarks: zany lyrics transfiguring melancholia into freedom, an instant classic chorus that already feels like an old friend. It's all quintessentially Wishy, and yet unlike any Wishy song you've yet heard-which made it the perfect song to give their vibrant sophomore album 'Nature's Pill' it's name. Wishy's origins go way back, to when Krauter and Pitchkites met in high school in Indianapolis. Some years and a few projects later, they joined forces to form Wishy, rounding out the lineup with guitarist Dimitri Morris, bassist Mitch Collins, and drummer Conner Host. The group's musical synergy was intense from the jump and the beginning of their career has been a prolific burst: the 'Mana' and 'Paradise' EPs in 2023, debut LP 'Triple Seven' in 2024, and a follow-up EP 'Planet Popstar' in 2025. After those releases met acclaim and the band's stature rose, the conception of 'Nature's Pill' was fundamentally different. The entire project was a more collaborative effort. After writing separately for all of their debut, Krauter and Pitchkites sat down to write together as much as solo; Morris and Collins contributed to the writing process. The group reconvened with 'Triple Seven' co-producer Ben Lumsdaine in Los Angeles, where the quintet packed into a tiny studio and tracked half the songs live in the room, imbuing the album with the immediate energy of a band in sync after heavy touring. It gave them the ability to synthesize an even greater array of touchstones this time around, with the '90s dream-pop and alt-rock of 'Triple Seven' fusing with '80s college rock and '00s indie. \"We were getting a bit more twee with it, embracing the young hipster headspace we had in high school,\" Krauter says. Just as their sound is often a swirl of various alternative and indie traditions, Wishy's new songs collide the highs, pitfalls, and banal detritus of human experience alike. 'Nature's Pill' re-examines some of Wishy's favored themes under new lights, jumping off from breakup songs to more abstract meditations on forlornness, romantic intention, lust. \"We take that stuff and almost write in a fictional, hypothetical frame of mind,\" Krauter explains. \"The songs capture romantic frustration and neurotic desire and the melodrama that ensues from simply being a person with emotions experiencing relationships and inner turmoil. 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Orders containing pre-order items will be held until all items are in stock.\u003c\/p\u003e\n\u003cp\u003eWe went back to an older method of writing for this one. We jammed and jammed and jammed. I took the tapes home and ironed out some mutant tunes. We went back into the studio and burned them to tape live and then I took it home to Stu-Stu-Studio and did the vocals and bought in Tom Dolas \u0026amp; Brigid Dawson to put the finish on. Spice is always nice. Mixed it all up in the cauldron and thus we have a strange brew indeed. Floating in the smoke we have: a couple long jams, a couple short jams and a finale that'll dump a bucket of ear worms on you (reminiscent of \"the axis\"?). Dip your toe in organ rock and roll. So without further ado, we present to you \"OFF COURSE,\" an album wondering where the fuck are we and how did we get here. A signal dispatched out into the darkness. We are here. We are alive. And we are together. 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Orders containing pre-order items will be held until all items are in stock.\u003c\/p\u003e\n\u003cp\u003eFresh off of their GRAMMY® win for Best Latin Rock or Alternative Album, Argentine duo CA7RIEL \u0026amp; Paco Amoroso open themselves back up to the world with the introduction of their new album FREE SPIRITS. 12 brand new tracks with international collaborations including Sting, Anderson .Paak, Jack Black and Fred Again.. The single most distinctive feature of CA7RIEL \u0026amp; Paco Amoroso is their ability to blend wildly different genres and moods without sounding like anyone else. This was particularly evident in their NPR Tiny Desk Concert, which became one of the most-watched performances by a Latin act on the program.\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eNada Nuevo\u003c\/li\u003e\n\u003cli\u003eGoo Goo Ga Ga\u003c\/li\u003e\n\u003cli\u003eNo Me Sirve Mas\u003c\/li\u003e\n\u003cli\u003eAy Ay Ay\u003c\/li\u003e\n\u003cli\u003eVida Loca\u003c\/li\u003e\n\u003cli\u003eMuero\u003c\/li\u003e\n\u003cli\u003eHasta Jesus Tuvo Un Dia Mal\u003c\/li\u003e\n\u003cli\u003eHa Ha\u003c\/li\u003e\n\u003cli\u003eSoy Increible\u003c\/li\u003e\n\u003cli\u003eHimno Del Mediocre\u003c\/li\u003e\n\u003cli\u003eLo Quiero Ya!\u003c\/li\u003e\n\u003cli\u003eTodo Ray\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 199584532110\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e 5020 Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.22.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ciframe data-testid=\"embed-iframe\" style=\"border-radius:12px\" src=\"https:\/\/open.spotify.com\/embed\/album\/2lbCB2zwGvqqn7IkRQGaEo?utm_source=generator\u0026amp;si=5b14f66b2b3348e4\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"\u003e\u003c\/iframe\u003e","brand":"5020 Records","offers":[{"title":"Default Title","offer_id":50862300889334,"sku":"199584532110","price":41.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0631\/2922\/3414\/files\/Ca7riel_PacoAmoroso-FreeSpirits_Vinyl.png?v=1781700883"},{"product_id":"chat-pile-who-loves-the-sun-vinyl","title":"Chat Pile - Who Loves The Sun (Colored) (LP)","description":"\u003cp\u003e**This record is up for pre-order with a release date of 9\/4\/2026. Orders containing pre-order items will be held until all items are in stock.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eIn a world increasingly shaped by disposable content, Chat Pile answer with something defiantly real and organic, a mentality that permeates Who Loves The Sun, their third full-length record. Since the band's formation just over six years ago, the Oklahoma City-based quartet Chat Pile has grown from a scrappy passion project into one of the defining heavy acts to emerge from the 2020s underground. Ray B. (vocals), L. Manhole (guitar), Stin (bass), and Cap'n Ron (drums) create a crushing, crass, and cathartic take on noise rock that captures a raw, undeniably human essence in an age marked by technological overreach and the cold state of society. Nothing about Who Loves The Sun feels synthetic. Whereas their debut album God's Country depicted a particularly American flavor of dread, and the follow up Cool World showed a cruel planet defined by global systemic violence, Who Loves The Sun peels the skin back on how collective indifference defines this new century. Spanning imagery of coastlines devouring cities, dead-end jobs, and submission to data-driven inauthenticity, the album dissects the apathy-bloated state of 21st-century existence as a slow-motion apocalypse. As with much of Chat Pile's work, Oklahoma City itself looms over the album like a character, it's sprawling isolation, economic contradictions, and underlying sense of decay embedded in the fabric of the record. The perfect allegory for the thematic essence of Who Loves The Sun is the photo embossed on the record's cover, where Devon Tower, a glassy, largely vacant monolith, looms high above the Oklahoma City skyline while a burnt-out home or storefront envelops the foreground. The album remains lyrically and sonically confrontational, but Chat Pile approached the songwriting with hooks in mind, drawing on melodic tones of pre-2000s indie rock, alt-rock, and new wave. 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