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Written by the band and produced by Campbell Burns, the album finds Vacations operating as a fully creative force with Burns drawing constant inspiration from his bandmates' lives and perspectives: exploring how they're each living out different lives yet share a common experience, all in their own \"pursuits.\" The result is a richer, more intricate, and emotionally expansive sound, with mixing by Beatriz Artola (Geese, Caamp). Arriving as the band solidify their place as one of the most globally resonant indie acts of their generation with sold-out world tours, double-platinum certified hits, and over 3.5 billion streams. The record turns inward, driven by the push and pull of devotion to music, relationships, and self-discovery. It is this tension that fuels an earnest, dreamy pop album that feels instantly classic. 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Joe is a character going through some of what I experienced, and some of his own problems.\"Early this year, the group returned to the studio with producer Steve Fisk to update accordingly -tweaking lyrics and recording new tunes in the \"Denial-style,\" including the optimistic and anthemic \"Joe Drives Again.\" The result retains Teens's dark edge and youthful cynicism, but promises a bit of light at the end of the tunnel. Toledo writes, \"I'm so grateful that this is a work that people have kept coming to, and I hope that this presentation does them honor with a fresh offering to the conversation. 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The complete soundtrack to the celebrated animated holiday television special, written and created by Charles Schulz, directed by Bill Melendez and Phil Roman and produced by Melendez and Lee Mendelson, includes the long-awaited release of many of Guaraldi’s classic compositions and performances along with never-before-heard bonus material.\u003c\/p\u003e\n\u003cp\u003eNewly re-discovered in LMFP’s vaults, the original recording sessions for Vince Guaraldi's beloved soundtrack have been remixed and remastered for audiophiles and Peanuts® fans everywhere. The album includes many previously unreleased tracks, several never heard since the Vince Guaraldi Quintet laid them down for the recording session in 1973. All the songs were remastered from the original 2\" 16 track source tapes.\u003c\/p\u003e\n\u003cp\u003eThis soundtrack from the 1973 holiday classic includes Guaraldi hits from the original sources like the funky brass filled \"Linus and Lucy,\" \"Thanksgiving Theme,\" and the soulful \"Little Birdie.\" You will hear timbres from instruments that were previously buried in the show mix. Furthermore, there are bonus tracks for \"Thanksgiving Interlude\" demonstrating how Guaraldi crafted his score for the special; an additional keyboard on \"Linus and Lucy;\" and Guaraldi whistling the melody for \"Is It James or Charlie?\"\u003c\/p\u003e\n\u003cp\u003eBeyond the composer's piano playing, the quintet is made up of Mike Clark on drums; Seward McCain (longest touring bassist with Guaraldi - holding down the electric bass at Guaraldi's request); Tom Harrell on trumpet to class up the album; and Chuck Bennett on Trombone. This is some of the funkiest Guaraldi you'll hear as his quintet leaned into the East Bay Sound, a type of funk that Mike Clark helped pioneer in the early ’70s. Guaraldi even lends his bluesy voice to introduce Woodstock with \"Little Birdie.\" The album was remix engineered by Terry Carleton, restored and mastered by Vinson Hudson, and produced by Sean and Jason Mendelson. All versions include liner notes by Sean Mendelson and artwork from the original special. 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I think the sparseness aptly reflects the solitude that is required of that kind of healing--although there are of course a couple songs that required a team to put together and feel right.”\u003c\/p\u003e\n\u003cp\u003eFrom the very beginning, fans have fallen in love with Jensen McRae for the sharp, evocative and clear-eyed songwriting. \"The most profound choices of my life often felt like things I did before I was ready to do, and I had to grow into them,” says McRae. Her songs have a way of giving shape to these leaps, cliff jumps and trust falls, and on her 2025 album, I Don’t Know How But They Found Me!, Jensen McRae went further than ever, evolving from a promising young artist to a fully grown songwriter and star.\u003c\/p\u003e\n\u003cp\u003eAn avid journaler, McRae has been breathlessly documenting her existence since she was 18. 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This album was primarily an exploration about how love and intimacy knock the wind out of you, can take your legs out from under you.\" She has also had multiple viral moments, including in the run up to writing I Don’t Know How But They Found Me!, when McRae posted a solo verse and chorus online, little more than a piece of a demo, and it took off. Covers, duets, and an avalanche of new fans followed (including the likes of Justin Bieber, Stormzy, and Dan Nigro to name a few); the song was the beginning of \"Massachusetts\", which would become her first Dead Oceans release.\u003c\/p\u003e\n\u003cp\u003eMcRae ventured to North Carolina to record I Don't Know How But They Found Me! with Brad Cook (Waxahatchee, Suki Waterhouse, Bon Iver), also enlisting the help of Hippo Campus's Nathan Stocker on guitar, Bon Iver's Matthew McCaughan on drums, and her younger brother, Holden McRae, on keys. \"It felt like summer camp. 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Pressed on 180g Neotech VR900-D2 High-Definition vinyl, this limited edition of 3,000 numbered copies delivers the ultimate audiophile listening experience with premium packaging and uncompromising sound quality. 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Produced by James Ford, it follows 2024's Romance, the album that took the Dublin five-piece from critical favorites to one of the biggest bands in the world.\u003c\/p\u003e\n\u003cp\u003eRomance debuted at No. 2 in the UK - since certified platinum there - and delivered the band their first entry on the Billboard 200. It earned two GRAMMY nominations (Best Rock Album, and Best Alternative Music Performance for \"Starburster\") and won International Group of the Year at the 2025 BRIT Awards, the band's second BRIT win. It also took the Album Award at the 2024 Rolling Stone UK Awards and Ireland's Choice Music Prize, and was shortlisted for the Mercury Prize. Announced with lead single \"Marianne\" and it's accompanying Dave Meyers (Kendrick's \"HUMBLE\", Travis Scott's \"SICKO MODE\")-directed video, Dopamine Chamber arrives like a constellation behind undulating sighs of smog: potent balladry, anthemic melodies glinting through the murk. In a world tipping towards collapse, it asks how pleasure mutates amid peril-and what our pursuit of it reveals about us. It's the sound of a band moving decisively away from the guitar language of their early records into something colder, stranger and more synthetic. 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Released in 2006 as a 4 LP and 2 CD album, it included five hit singles: \"Dani California\", \"Tell Me Baby\", \"Snow (Hey Oh)\", Desecration Smile\" and \"Hump de Bump\". The album topped the Billboard Chart in the US and has been certified multi-platinum in over 10 major countries worldwide. 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Their new album Estuary carries the hallmark of their unyielding dedication to the physical craft and analog production techniques. Estuary is their most ferocious and genre-bending record to date.\u003c\/p\u003e\r\n\u003cp dir=\"ltr\"\u003e\u003c\/p\u003e\r\n\u003cp dir=\"ltr\"\u003eNathan Weaver (lead vocals, guitars) comments: “Our new album Estuary takes place 1,000 years in the future, after the death of civilization. I've always felt such calm at the idea of humanity vanishing from the world, and nature reclaiming everything. I dream of being alone in this setting and experiencing total calm and peace. This has been a recurring theme in all of Wolves’ music but for Estuary, it is at the forefront.”  \u003c\/p\u003e\r\n\u003cp dir=\"ltr\"\u003e\u003c\/p\u003e\r\n\u003cp dir=\"ltr\"\u003eResonant with that hardwiring; Estuary is rawer, more volatile with the storming sensuality of noisy industrial elements, evolving through the domain of warm rain, majestic forests and diffused starlight. Massive percussion and seething gothic guitars wipe the listener’s psyche clear of all stagnation, transforming them into active, evolutionary conduits.\u003c\/p\u003e\r\n\u003cp dir=\"ltr\"\u003e\u003c\/p\u003e\r\n\u003cp dir=\"ltr\"\u003eEstuary explores the tension and networking between stillness and noise, animal and machine, elementals and electricity, and the awakening sophistication implicit in our mysterious origin. Weaver says: “If wilderness overcame the cities in the future, the estuaries would be realms of power and magic. 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